Rebranding: La importancia de rediseñar una marca
In this post I want to tell you about the importance of redesigning a brand, which arose through specific personal experiences with clients, and how through redesign other very important objectives were achieved that until now had not been taken into account.
These are cases of clients who already had a brand in use and who had not evaluated the possibility of changing it, since they did not consider it necessary or, they did not know the growth possibilities that a new image could give them.
Read my article The most complete guide to understanding logos for more information
Redesign vs. Restyling
The terms Redesign and Restyling are often used synonymously, but in reality they are quite different concepts. Although the result of both is a new identity design, we should not confuse them.
Both concepts respond to the need to update the image of a brand and ensure its permanence and recognition over time and in different circumstances and applications.
A brand restyling is an update of its aesthetics, a “facelift” so to speak.
Over the course of a company, product or organization’s life, its visual identity, like many other elements, may need to be transformed, adapting to current times and different brand application environments (graphic media, digital media, videos, etc.)
These design transformations are usually gradual, and even very imperceptible, and maintain the original concept of the brand.
Below we can see a clear example of restyling in the evolution of the Burger King logo, where after experimenting with different styles, they have decided to return to their classic logo, adding modern elements. This change seeks to reinforce their identity as an authentic brand focused on customer experience. (UX)
On the other hand, a redesign is the modification of a brand's visual identity to adapt it to a new desired positioning.
A redesign always starts from specific strategic objectives or needs so that the brand can be aligned with the company's strategy and verbal identity.
Rebranding involves updating several elements of a company's visual identity, including the logo, colors, typography, and other graphic components.
This process can be a simple design update or a complete rebrand.
The following example shows the case of the comprehensive redesign of the Animal Planet logo.
The brand explains that the goal of this change is to “engage with mass audiences across all platforms.” “We can reach all generations through our content and storytelling; we are here to entertain and delight by bringing people closer to animals and nature,” they say.
Knowing how to advise the client
In my professional experience, my clients are often attached to an image that has identified them for years.
Regardless of whether it is good or bad in terms of brand design and communication, I consider that a restyling in these cases is the most appropriate, since a redesign would be a very drastic option and difficult to assimilate for the client and the people who work in their environment.
Let's not forget that behind a brand there are always "people" who feel, have emotions, memories, traditions, etc.
Many times these are family businesses or enterprises, where the original brand was created by someone who is no longer with us, or who deserves the respect of continuing their legacy by their successors.
In such cases, I suggest to my clients a restyling of the existing brand, preserving the concepts in semantic graphic elements and colors, but adapting them to more current forms that allow their application in various graphic and digital media, strengthening the presence of the brand.
The example illustrated below is the case of a client who has a family business manufacturing fabrics for footwear, leather goods and decoration with more than 40 years in the market.
I was called upon only to update a website that had been “forgotten” for some time, but there was not much to salvage in its content and I proposed redesigning it entirely.
Mi cliente aceptó mi propuesta inmediatamente y también mi sugerencia de actualizar su marca.
The company name corresponds to his family name, and therefore I tried to respect all the traditional and emotional aspect that it represents for my client, but persuading him of the need for an adaptation of the brand that would allow him to have a stronger presence in print, digital and social media.
That's why I proposed keeping the concept of the initial “t” and the loom, which represents the company's activity, and standardizing the use of colors and fonts, obtaining a more current, appropriate and versatile brand.
This brand restyling allowed the company to take another level of visual communication, through product catalogs, website, social networks and even stands at exhibitions in which it participates.
You can visit the website by clicking HERE.
When there is nothing to save
We've already talked about restyling and the benefits it can bring to a client, but now we're going to address the case of another client in which there was no solid starting point on which to build a good identity.
This is the Argentine Journal of Online Anatomy, an international scientific publication of the Argentine Association of Anatomy, where doctors, residents and students of Medicine from Argentina and the world publish their works previously presented at the Argentine Congress of Anatomy, which takes place annually in various cities of the country.
Being a designer and webmaster of the Argentine Association of Anatomy since 2015, where I had already completely redesigned its website; in 2017 I was called to take charge of the editorial design of the Journal, which had been published quarterly since 2010, in its print and online versions.
The journal was seriously behind in its publications and had been in arrears for its editions since 2015, as the person in charge of doing so could no longer take care of it.
This person was not a designer but a doctor who worked with very good intentions, but without the knowledge or adequate tools, using “what he had on hand” for free and “pre-assembled”, and even so the results were not satisfactory, as the criteria and experience to design are not included in these tools that are freely accessible to the general public.
Where to start?
The editorial design of the journal I inherited was very poor and rudimentary, without form or identity, developed with inappropriate tools (PowerPoint) and the results were very deficient.
PowerPoint is a very versatile tool to create quality graphic presentations in a very simple and intuitive way, but not to make 100-page graphic editions, for which it would have been much more efficient to work with Word or another word processor, if professional editorial layout programs could not be used.
The structural design grid was barely hinted at and was not respected in all publications, which took away identity, coherence, harmony and fluidity from the reading of their contents.
On the other hand, their website was totally dysfunctional, lacking organization, aesthetics, or any criteria, resulting in a poor user experience (UX) and totally non-existent web positioning (SEO), since the content was not optimized to be crawled by search engines like Google.
The website was developed with a very basic and poorly used amateur template, without any knowledge of web design or layout and structuring of content.
The overall design had a black background with small white typography that made it difficult to read, and it also had no responsive design, so it did not adapt to mobile devices.
In addition, it was hosted on a free hosting server, with its consequent advertising banners, slow browsing and downloading, and exposure to viruses and hackers.
Reborn… a new opportunity
The magazine's authorities suggested that I continue with the previous model, but I proposed making a comprehensive change starting with the design of a new identity, which would allow the magazine to reach much higher and more accurate international standards, with a professional and global outlook, and which would favor its publication in various graphic and digital media, with graphic and conceptual unity and coherence.
The journal is indexed in various specialized international portals where several publications from other countries coexist, and therefore must stand out and be at the same level as its peers.
Redesigning the identity
The previous logo had no identity criteria at all and was not even always displayed in the same way in the various publications. It was just an inappropriate typeface chosen at random.
My proposal was to start by redesigning the brand, providing a solid identity with allegorical concepts to the activity it represents: Anatomy.
The brand concept is developed through a blood-red continent, strategically curved like a page, which cuts out a letter “a” (from Argentine anatomy) slightly rotated so that a drop of blood forms in the eye of the letter, and which at the same time represents the union of muscles and cartilage in the human body.
This rebranding is accompanied by a comprehensive editorial redesign of the journal, with a clear and functional layout where I have proposed and developed publication criteria that authors must respect in order to present their manuscripts in the journal, and in this way take the publication to an international level, on par with its peers.
My design idea was innovative and widely accepted by the board, who decided to believe in my proposal and gave me complete freedom to create a new product, and finally join the Editorial Committee as General Editor, Designer and Webmaster.
Previous covers consisted of a random collage of images taken from the works, usually cadaver dissections.
A background color corresponding to each year of the publications is used, the journal's logo is shown in different places and no identity or permanence is obtained in the memory of users.
My concept for the covers of the publications is to show how various artists from all eras and areas of art (painting, sculpture, design, photography, etc.) interpret the human body, thus giving a different proposal to their peers, in which they are illustrated with dissections and viscera.
With a minimalist, clear and uncluttered design, a place of importance is assigned to the journal's logo.
A band of uniform color represents the year of publication, highlighting the volume number, including a list of the headlines published in each issue, so as to allow easy access for searching content by volume.
Each published article has the same header design, highlighting thematic sections, authors, institutions of affiliation, country of origin, presentation and acceptance dates, and highlighted summary in Spanish and English.
Image and table sizes, numbering of references in graphics and texts, image captions, bibliographies, etc. were standardized.
New website
For the design of the new website, I continue with the same criteria as the magazine, optimizing its identity and improving visibility and access in all the specific search engines in which it is indexed.
Publications are available for free download in PDF format, both in their full version and in their individual manuscripts.
To reinforce its international character, the website is bilingual (Spanish/English) and its contents are optimized following guidelines that favor web positioning in content search engines (SEO).
The downloadable files have optimized metadata so that they can be tracked by author names, titles or keywords.
The new brand design also allows for the website's online presence to be enhanced by the use of avatars that facilitate access to the site from different browsers.
You can visit the magazine's website by clicking HERE.
Final conclusion
I hope you enjoyed this article and found it useful.
My goal in this work is for you to know the benefits of redesigning a brand and the new possibilities that open up for the future of the client's business.
If you wanted to have your own brand and you consider that I am a suitable professional, do not hesitate to contact me.
In the Related Articles section below, you will find many articles with specific topics that complement the one you just read. Thank you!
Adrián Pablo Conti
I am a Graphic and Web Designer graduated from the University of Buenos Aires (FADU-UBA)
Since 1993 I have run Web4, my own freelance graphic and web design creative studio, located in the City of Buenos Aires (Argentina)
Me I specialize in the development of visual identity, institutional communication, web sites and online stores, editorial design, catalogs, magazines and packaging design, among others.