40 famous brands that have redesigned their logos

In this post, we're going to talk about rebranding by analyzing 40 famous brands that have redesigned their logos.

We will also study and analyze how their designs evolved over the years.

A brand's redesign is about its history and the times it faces in terms of fashions, trends, and needs.

But the evolution of the brand itself also has an influence.

We will see that there are many brands that were originally born as products that are not what they represent today.

Other brands have been expanding their products into various markets, which has motivated them to redesign their graphic identities.

That's why we're going to talk about the history of some brands and learn about the unique features that led them to become what we know today.

This article complements a previous one “Rebranding: the importance of redesigning a brand”, and I invite you to read it.

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Rebranding, redesign and restyling

We have heard these terms many times and many believe that they are the same concept, but they are not.

We won't go into detail on this topic because that's not the purpose of this article, but we will give a general idea.

Branding relates to all aspects of a brand's "personality and values" and is managed through marketing strategies.

It is what people want to perceive about it, involving concepts, sensations, shapes and colors that identify it.

Design is a branding tool that graphically represents those aspects of a brand.

This is what we ultimately identify as our visual identity, and from there we develop a corporate image.

Therefore, redesignis the intensive modification of a brand's visual identity to adapt it to a new desired positioning.

It involves a complete overhaul of the brand's communication strategy and identity, which may include a complete change of the logo, corporate colors, and value proposition.

A brand restyling is an update of the aesthetics, a facelift, but without altering its fundamental essence, preserving its perfectly recognizable key elements.

rediseño de marcas

When brands need to change

There's nothing better to develop this topic than to explain it with examples of world-famous brands that we all know.

You've probably seen many of these logos in their design stages and didn't notice their graphic evolution over the years.

That's why I invite you to explore them and learn about their stories and the reasons for their redesigns.

Click on the icons to see details.

7Up
7Up
Amazon
American Airlines
Animal Planet
7Up
7Up
7Up
7Up
7Up
7Up
Chevrolet
Chupa Chups
Citroen
Disney Channel
Fanta
FedEx
Ford
Gatorade
Google
Heineken
Iberia
IBM
Instagram
Jaguar
KFC
Kodak
Lay's
Levi's
Logitech
McDonald's
Mercedes Benz
Microsoft
Mirinda
Netflix
Pepsi
Peugeot
Pringles
Puma
Windows

7up

This carbonated drink was born in 1929 with the name "Litiado Lemon and Lime Soft Drink."

Its first logo from 1929 features bold white letters on a dark green background with outlined bubbles of varying size to represent the soda's carbonated nature, on the bottle caps.

In 1930 it was already called 7up with a winged logo intended to represent the drink's ethereal and bubbly sensation.

During the 1930s, the design was stylized with the number 7, which would end up becoming the brand's icon.

From 1938 onwards they decided to add red and black and the brand began to acquire a more precise definition.

The logo varied considerably according to different criteria, sometimes returning to green and other times using red as the predominant color.

Finally, it was decided to assign green to the letters and red to the point that separates both words.

Starting in 2000, the lettering returned to white, contrasting with the green of the bottles with subtle three-dimensional effects.

Restyling logo 7up
7up publi

Adidas

The name Adidas is derived from its founder Adolf (Adi) Dassler and was first used in 1941, with a typography very similar to the current one.

In 1971, in addition to the wordmark, the iconic clover was added and the traditional 3 stripes appeared.

In 1991, the designer added more power and weight to the emblem, maintaining the three stripes, which became bolder.

The minimalist design evokes a sense of movement and upward progression, symbolizing the athletic rise of Adidas's clientele and the brand's forward-thinking approach.

The bars vary in length, creating a dynamic visual rhythm that conveys speed and agility, while also demonstrating the concept of a competitive podium.

This contemporary interpretation of the classic motif retains the heritage of the original while adopting a sleek, modern aesthetic.

With the arrival of the new century, the three stripes took on a lighter and more refined appearance, traversing a black circle that represents the world.

In 2022, the 1991 concept returns, but with the option to omit the wordmark, as an avatar for social media and web applications.

Restyling logo Adidas
adidas publicidad

Amazon

Amazon is the giant of online shopping and its logo reflects that concept.

The current logo was designed in 2000 by Turner Duckworth under the supervision of company founder Jeff Bezos.

The orange arrow of the logo leaves the letter "a" and ends in the letter "z", indicating that they sell all the products you want, from a to z.

The arrow also represents a smile, in which the tip is a stylized dimple or a line of expression, which gives a wink of sympathy, joy and confidence.

This smile represents the happiness that people feel when they buy on Amazon, since the company wants the best customer satisfaction, offering a friendly service.

The black typeface demonstrates Amazon's superiority and dominance in the online retail market, which has been demonstrated by its financial metrics.

The bright orange color detracts from the formality of the logo and adds energy and appeal.

It also symbolizes pride and happiness, showing how Amazon works and thinks.

This great logo has become a benchmark in world brand design.

Restyling logo Amazon
amazon publicidad

American Airlines

The original American Airlines logo was created in 1934 by Goodrich Murphy.

It features a white eagle perched on the globe with its wings spread upward, showing the infinite possibilities and power of the enterprise.

The airline's visual identity's blue, white, and red color scheme is not only a tribute to the U.S.A. but also a powerful combination, perfectly reflecting the company's influence, professionalism, and authority.

The brand evolved over the following years, maintaining the original concept and adapting to the trends of the times.

The current logo was completely redesigned in 2013 by the marketing agency FutureBrand.

The result is an elegant and memorable brand that represents the head of an eagle; one of its wings is red and the other blue.

The logo reflects freedom and the struggle for success and was named the Symbol of Flight.

Restyling logo American Airlines
american airlines publicidad

Animal Planet

Animal Planet is an American news television channel established in 1996, owned by Discovery and dedicated to documentaries and series about animals.

But the first Animal Planet logo was created in 1994 when it was not yet a television channel.

It consisted of a white big cat claw drawn on a solid red circle, using the same shade of red as the logo.

In 1996, the channel was created and a more ornate and detailed logo was designed, represented by the profile of an elephant pointing its trunk toward the sun.

A restyling of the brand was carried out in 2006, where the sun was replaced by a three-dimensional image of the Earth, making it appear as if the elephant was playing with the planet as if it were a ball.

The 2008 version is completely different through a drastic redesign, removing all graphic elements from its visual identity.

The only bright detail is the green letter "M", which is located horizontally above the rest of the black letters, simulating a jungle environment.

Finally, in 2018, the elephant returns to Animal Planet's visual identity, but today it is a contemporary, more abstract and almost childlike drawing.

The stylized blue animal now moves to the right, toward tomorrow, as a symbol of progress and development.

The logo is modern and friendly, and its color palette adds freshness and youthfulness, evoking a sense of loyalty and reliability at the same time.

Restyling logo Animal Planet
animal planet publicidad

Apple

The Apple logo has had several iterations throughout its history, from the complex original design to the recognizable bitten apple.

The original 1976 trademark was designed by Ronald Wayne and is not morphologically considered a logo but an emblem.

It shows Isaac Newton sitting under a tree and was considered too complicated and difficult to reproduce on a small scale.

In 1977, Rob Janoff created the iconic rainbow-colored bitten apple, a simpler and more recognizable design that remains to this day.

When trying to simplify the symbol of the company, Yanoff wanted to place the image of the bitten apple since the word "bite" in English is bite, so it is translated as a term in computing (which is byte, like gigabyte, megabyte , etc.).

Steve Jobs returned to Apple in 1998 and decided to update the logo while maintaining the concept that was already successfully established in the market.

It adopts a monochrome and minimalist version of the Apple, in line with the company's new aesthetic.

Since then, the same concept has been maintained, varying only in the colors and three-dimensional treatments, which were very common at the beginning of the 21st century.

Restyling logo Apple
apple publicidad

Bayer

Bayer is a German multinational pharmaceutical company, one of the largest in the world, founded in Barmen in 1863 as a dye factory.

But Bayer didn't develop a logo until 1881, and it consisted of an illustration of a lion based on the coat of arms of Elberfeld, the town where the company was headquartered at the time.

The 1904 logo consists of two crossed words BAYER sharing the letter "Y" and enclosed in a circle, and is the brand concept that endures to this day.

The Bayer logo becomes one of the world's best-known trademarks.

A milestone in the logo's popularity and a clever marketing idea was the decision to print the new logo on tablets, especially aspirin.

The Bayer logo has remained almost exactly the same for over a century and works equally well in large and small sizes, with or without color.

In 1989, two lines of dark green and blue were added, colors that soon became typical of Bayer.

The year 2002 saw the first colored version of the Bayer Cross, in the blue and green colors that symbolize the brand's modernity and freshness.

In 2017, following a successful graphic evolution, the color gradients in the circle disappeared and the colors were modified.

This makes it easier to use the logo in digital media and gives the brand a more modern and updated look.

Restyling logo Bayer
bayer publicidad

BMW

The iconic car manufacturing company BMW was established in 1913 as RAPP Motorenwerke, specializing in the production of aircraft engines.

In 1916 it changed its name toBayerische Motoren Werke, or simply BMW.

The logo design appeals to the Bavarian flag, which alternates between blue and white diamonds.

It also evokes an airplane propeller spinning at high speed, representing the company's value, legacy, and roots.

BMW's most recognizable and distinctive logo was created in 1997 and will remain official until 2020.

But even after the introduction of the new design in 2020, the old badge still remains on the hoods of iconic German cars.

In 2020, the company went minimalist and redrew its logo in 2D, eliminating the black color.

The emblem now features a thin grey outline and a thick white frame, where the grey inscription “BMW” is placed in a slightly expanded modern typeface.

The logo looks fresh and cool, reflecting the brand's progress and its willingness to move into a new era.

Restyling logo BMW
bmw publicidad

Budweiser

Budweiser is an American lager beer, first introduced in 1876

Today, the famous beer is distributed worldwide, making it one of the world's leading brands in its segment.

Known as The King of Beers, Budweiser has a striking and instantly recognizable logo, which has undergone many redesigns throughout the brand's history.

The first three versions of the beer logo were highly ornate, based on the seals and coat of arms, with many additional letters.

In 1952, it began to become more minimalist and bold, to satisfy the tastes of a younger audience and general progress.

The iconic red bow tie first appeared in 1957 and remains a staple today, with design variations that reflect the needs of the times.

The current logo is a simplified version of the previous ones.

The two-color flat design has no additional details, just the red background and white lettering.

It looks sleek, professional, and very modern, despite the use of an old-fashioned script font.

Restyling logo Budweiser
budweiser publicidad

Burger King

Burger King is a pioneer in the fast food market and boasts that quality.

Over the decades, it has maintained a style consistent with its identity with very subtle changes in its design.

The 1970s marked the global rise of these companies, where hamburgers were the real stars.

The brands were quite similar in their colors, but they managed to maintain their identity and branding concepts.

Burger King's recent 2021 logo redesign returns to a more minimalist design closer to its 1969 logo.

It seeks to project a more realistic and appealing image of food, evoking that sense of nostalgia and authenticity from the 1970s.

It presents a more modern and clean image, eliminating unnecessary details and seeking to connect with the brand's history and memory.

The warm, bold color palette focuses on tones reminiscent of grilled food, creating a more authentic and appetizing look.

Restyling logo Burger King
burger king publicidad

Carrefour

The name Carrefour comes from the first store opened in France, which was located at a crossroads.

That's why the company decided to name it Carrefour, which in French means "crossroads."

The logo, at first glance, symbolizes precisely the two paths.

In it you can see two figures representing arrows pointing in opposite directions, one blue and one red.

The gap between them generates a blank letter "C", alluding to the French origin of the brand.

This is one of those cases where the brand hasn't needed major redesigns and has managed to survive for decades without any notable changes.

The same concept of identity is always maintained, applying only very subtle changes.

The current logo is executed in an elegant serif typeface with its clean lines and rounded serifs.

Restyling logo Carrefour
carrefour publicidad

Chevrolet

Chevrolet is an American brand that was established in 1911 by Louis Chevrolet and Willian Durant.

Known worldwide as Chevy, it has an iconic logo and is considered a classic of brand identity design.

The logo is nicknamed the "bow tie" and has hardly changed throughout history.

It was designed by the brand's founder, Willian Durant, in 1913.

The Chevrolet bowtie emblem is a broad, stylized cross formed by a horizontal parallelogram overlapping a square.

Over a century of history, there have been many variations in color and detail of the Chevrolet bow tie, but the essential shape has never changed.

In 2002, a new version of the logo was created, and it is probably the most recognizable of all.

This black logo featuring a custom typeface with smooth, thick lines looks elegant on almost any background.

It can be seen in three-dimensional metal on the brand's cars, or in plain black on signs and printed materials.

The latest redesign, unveiled in 2013 to celebrate the company's centenary, maintains the emblem's gold color but makes it more luxurious by thickening the silver frame.

The logo now looks more dynamic and stronger.

Restyling logo Chevrolet
chevrolet publicidad

Chupa Chups

The history of Chupa Chups candies begins in Spain in 1958.

Enric Bernat is the Catalan pastry chef who was responsible for developing the idea of a round candy attached to a stick.

The idea was born from the problem that children would get their hands dirty when they took the candy out of their mouths.

That's why he came up with the idea of developing a novel candy packaging with a new logo that would give it international exposure.

It was then in 1969 that Enric Bernat turned to his friend, the great surrealist artist Salvador Dalí.

Dalí's idea turns out to be extremely simple: place red letters on a yellow background in the shape of a daisy flower.

The peculiar artist agreed to design the brand in exchange for a million-dollar fee, which Enric accepted.

Dalí thought for a while and began to scribble until he designed the daisy logo on a paper napkin.

It took no more than an hour to create one of the most iconic logos of all time.

A novelty was the introduction of the flower shape that surrounds the logo, which turned out to be one of Chupa Chups' clearest identifying features.

Dalí recommends placing the logo at the top of the packaging to enhance its visibility and give it its own personality.

But the most important thing was that when you removed the wrapper, the logo was still intact so you could save that beautiful packaging.

The Dalí logo remained in use for decades, and only in 1990 was a very subtle restyling carried out, ensuring that the essence of the brand was preserved.

Restyling logo Chupa Chups
chupa chups publicidad

Citroën

Citroën is a French brand of automobile manufacturing company, founded in 1919 by Andre-Gustave Citroën.

The original Citroën logo was created in 1919 by the brand's founder.

His family business, Engrenages Citroen, initially specialized in the design and production of helical gears.

The original Citroën badge was composed of oval-framed chevrons, executed in fine lines resulting in a sophisticated and lightweight brand logo.

In 1929, the only version of the logo was created where an additional graphic element was added: a white swan with two chevrons and a blue underside, symbolizing water.

This is the first time the wordmark appears in the logo.

In 1959 the logo was redesigned with a modern approach.

The wordmark disappears and the stripes are now three-dimensional, and the brand concept begins to take shape in the identity we know today.

Around 1985, the logo's color scheme changed dramatically, and the emblem consisted of two white stripes in a red square.

The wordmark is now larger, with clear, confident lines in black.

In 2009, the stripes became three-dimensional again, with a color change from black to gray, giving a metallic effect.

The 2022 redesign creates a crisp, geometric logo that returns to the brand's initial concept, with a clean, futuristic style.

Citroën
citroen publicidad

Disney Channel

The logo designed in 1981 was used by the brand for less than a year.

The geometric outline of Mickey Mouse's head is cut out of the horizontally oriented rectangle with softened contours, resembling a television screen of that era.

In 1986 the logo was redesigned, changing to black and reducing the number of horizontal lines.

Another major change was made to the wordmark, which now featured a custom "Disney" typeface representing the company's logo.

In 1997, a completely new version of the logo was created, featuring a colorful Mickey Mouse standing with his hands raised as the logo mascot.

In 1999, Mickey Mouse was removed from the emblem and the black television with rounded ears was now purple.

In 2002, the company decided to become minimalist and laconic, maintaining the main features: the unique lettering of "Disney" and the outline of Mickey Mouse.

The new color palette makes the logo look fresher and sharper, allowing it to be placed on various backgrounds.

In 2014, Mickey Mouse's head was replaced by the dot over the letter "I" in "Disney."

The wordmark is now the sole element of the company's visual identity, signaling the company's forefront in the entertainment industry.

Disney Channel is undergoing another redesign in 2024, following the international trend of minimization and simplification.

The iconic Disney logo is rewritten in black, with the letters on a white background without any additional graphics.

For the first time in the company's history, there is no reference to Mickey Mouse.

Reatyling logo Disney Channel
disney channel publicidad

Fanta

The Fanta logo has evolved to reflect the brand's evolution and focus on fun and innovation.

The first logo is a sleek black design with a distinctive “F.”

It then evolved until the 1980s, when it introduced a color combination of blue, orange, and green, with a clear, pared-down typography.

Already close to the 2000s, there was an attempt to play with brush typography and include the concept of the orange in the brand.

In 2023, Fanta launched a new global identity, unifying its image worldwide with a more modern and simplified design.

It uses angular typography and vibrant colors, seeking to inspire joy and a thirst for adventure, motivating people to take risks and enjoy life.

It no longer focuses its image on oranges, as the brand markets different flavors.

Restyling logo Fanta
fanta publicidad

FedEx

The earliest FedEx logo reflected the original company name Federal Express.

The main reason why its founder Fred Smith chose this name was that he wanted to get the Federal Reserve Bank as a client.

Additionally, he assumed that the word “Federal” might give the company weight by emphasizing patriotism and the desire to contribute to the country's economy.

The current logo was designed by Landor Associated in 1994 and is one of the most iconic brand designs in history.

Its main detail is a white arrow pointing to the right, formed by the negative space between the letters "E" and "X"

This is a subliminal message that shows the essence of the company and evokes a sense of movement.

The design has been so effective that it remains relevant today, surviving all the changes brought about by the digital age.

Restyling logo FedEx
FedEx publicidad

Ford

The Ford logo has become one of the most recognizable logos in the automotive industry.

In 1903, the first Ford Motor Company logo was created and consisted of an ornate, rounded badge in a frame with leaves and curves.

In 1907, Ford decided to change its style to a modern and strong one, with a completely new style and shape: the diamond with soft rounded angles has a black "Ford" inscription in the middle.

In 1911 the company redesigned its logo with the founder's signature enclosed in a double horizontal oval, and the inscription "The Famous Automobiles"

This design begins to hint at the definitive features and its oval design that remain to this day.

The 1965 design is a narrow, horizontally stretched oval in a soft blue color palette, with a simplified double outline in blue and white.

This version is still used in most vehicles and has become the three-dimensional model used for certain applications.

Restyling logo Ford
ford publicidad

Gatorade

The original Gatorade logo was introduced in 1966 and features monochrome lettering on four levels.

It was more of an official badge than a label, strict and simple.

The 1970 rebranding brought an iconic, colorful symbol to Gatorade's visual identity.

The logo consists of a green wordmark with a black outline, enclosed in an orange rectangular frame, with an orange light beam passing through it.

It also has a blue slogan"Thirst Quencher" placed below the branding inside the frame.

Since the 1970 redesign, the Gatorade logo hasn't changed much, and the lightning bolt, a distinctive feature of the logo, has always been retained.

In 2009, a completely new concept was introduced with a responsive logo.

The wordmark is optional and is replaced by a large "G" that is now the main element of the visual identity.

This initial is crossed by a ray of orange light with a double red and black outline.

It has no additional details or gradient tones, just a smooth, flat logo composed of two symbols.

Restyling logo Gatorade
gatorade publicidad

Google

Google is the world's most popular search engine with the widest range of languages.

It was created by Sergey Brin and Larry Page, students at Stanford University.

The prototype of today's Google symbol appeared in 1997.

Since then, it has undergone some tweaks and modifications, but the concept has remained the same.

In 1998 the logo acquired its current color palette using blue, red, yellow and green.

Google's iconic color palette, composed of four hues, represents the four main elements: air, earth, fire, and water.

It also represents the variety of Google services and shows its endless possibilities.

The colors red, blue, yellow, and green are used for all of the company's service marks, showing unity and connection.

The Google logo is subject to Google Doodles, which are temporary modifications that appear on the platform's homepage during holidays or to celebrate important events and/or historic achievements.

In 2015, the Google logo was redesigned again, leaving the characteristic color scheme intact but changing the style and shape of the letters.

Restyling logo Google
google publicidad

Heineken

Heineken is one of the most popular beer brands in the world.

The initial logo from 1864 was a blue oval as a badge.

The gray space in the middle contains a drawing of the brewery itself, along with a few words explaining exactly what product they make.

In 1884, the oldest known logo for the beer was designed in an oval shape with a thick green frame on a white outline.

The central part of the emblem contains a black horizontal band with a wordmark, the black outline of a five-pointed star, and a thin green ornament below the band.

From that year on, green became the brand's institutional color.

The most recognizable symbol used in the Heineken logo is the red star.

In those days, brewing beer was considered an extraordinary and magical process.

The five-pointed star symbolized the four elements and the 5th magical element that determined the quality of the beer.

In the 1954 redesign, the label finally began using only the white "Heineken" lettering, set within a black horizontal ribbon bar.

In 1974, the main wordmark was introduced with the name in green and the typography that remains to this day.

In 1991, the second official logo was designed with an elegant and instantly recognizable green script with a solid red star, positioned to the left or above the lettering.

Sometimes the brand uses only the star, in other cases, the white wordmark on a black ribbon, with the red star above and a green leaf ornament below.

Restyling logo Heineken
heineken publicidad

Iberia

The original 1927 design is the most minimalist, with only the capitalized word "Iberia" represented.

In 1939 it was replaced by a winged logo and incorporated colors of the Spanish flag.

It later evolved into a wordmark in 1941, followed by elaborations on the balloon theme in 1954, 1963 and 1967.

In 1977, the era of the stylized design of the "IB" isotype began.

The abstract shape of the current logo, introduced in 2013, indirectly references the "IB" but this time focuses on representing the tail of the plane.

It has an incredibly modern, dynamic, and memorable style and places the company in a prominent place in the airline market.

Restyling logo Iberia
iberia publicidad

IBM

IBM is a world leader in software and hardware production, as well as providing a variety of support and consulting services.

The company is established as a result of the merger of two businesses: International Time Recording Company and Computing Scale Company.

In 1924, the company changed its name to International Business Machines and the new logo was stylized as a globe.

In 1947, International Business Machines simplified its name under the acronym IBM, with a minimalist blue logo with capital letters executed in a massive, square serif typeface.

This design will be the pillar for future restylings of the brand.

The first version of the iconic striped IBM logo was designed in 1967 by modifying the previous emblem, where the blue inscription is cut horizontally into 13 equal strips.

In 1972 Paul Rand carried out the redesign that lasts to this day, reducing the number of lines to eight.

In 2018, the company decided to return to its original full logo from 1956, but now it is a white "IBM" inscription, placed on a dark gray background, and is used in minimalist occasions that require better legibility.

Restyling logo IBM
ibm publicidad

Instagram

Instagram is one of the most popular social networks, with more than a billion users worldwide.

Throughout its short history, the company has redesigned its logo on a few occasions.

All based on the shape of an instant camera, versions of the Instagram logo have reflected the network's key designation: photo sharing.

In 2016, Instagram unveiled its new logo along with an updated app interface.

While many users criticized the design, it has remained unchanged for years.

The new version's sleek, minimalist design is based on the previous badges, but redrawn in an abstract, flat form.

The orange to pink gradient square with rounded corners has a bold camera outline drawn over it in white.

The 2022 redesign features a refreshed version of the 2016 logo, refining its color palette while maintaining the same concept and shapes.

The new logo also runs in orange to purple gradients, but all shades have been made lighter, so the icon now looks even brighter.

Restyling logo Instagram
instagram publicidad

Jaguar

The luxury brand Jaguar, founded in 1922 in the United Kingdom, is famous for designing and manufacturing high-end automobiles.

The first versions of the Swallow Sidecar company logos were winged emblems and used the SS monogram, but later took on negative connotations due to its similarity to Nazism.

The 1951 redesign completely simplified the Jaguar badge, turning it into just an all-caps logo.

The black lettering is executed in an elegant full-form font with thick lines of the letters and thin, elongated serifs at their ends.

In 1957, a notable restyling took place and the image of the big cat that would identify the brand to the present began to appear.

The leaping jaguar logo was introduced in 1982, and that concept has been stylized to the present, giving the brand a true identity.

In 2024, the company will undergo a complete redesign of its logo, which has been highly controversial, as many believe its essence and identity have been lost.

These are the risks involved in trying to boast about being modern and cutting-edge by making radical changes and trying to impose the company's vision over customer preferences.

It only remains to wait and see what time brings in the assimilation and acceptance of such drastic changes.

Restyling logo Jaguar
juaguar publicidad

KFC

The fast-food restaurant chain KFC, which specializes in fried chicken, has more than 20,000 restaurants worldwide.

The KFC logo has always followed the same principles: color palette and the portrait of its founder.

The logo has been redesigned five times throughout its history, but this is definitely not a change, but rather an evolution.

The original KFC logo was designed in 1954 and features the “Kentucky Fried Chicken” wordmark in a handwritten font.

In 1991, it changed its name to KFC, its design changed drastically, and the color red appeared in the visual identity.

In 2018, the final redesign was carried out, changing the shape to a trapezoidal one and perfecting the portrait.

The KFC logo is bright and welcoming, a perfect choice for the fast food industry, evoking a sense of warmth and hospitality.

Restyling logo KFC
kfc publicidad

Kodak

The initial logo was created for The Eastman Dry Plate Company in 1889 and featured an elegant artistic design style badge with a black frame adorned with white lettering.

In 1907 the company was renamed Eastman Kodak Company and changed its logo to a monogram where the three letters are executed in straight lines with geometric cuts.

In 1935, the name Kodak became official and the visual identity was redesigned.

The new emblem remains with the brand for many years and becomes the basis for the current badge that everyone knows.

In 1971, the predecessor of the current Kodak logo was created.

The new emblem features a solid yellow square with an enlarged red "K" stylized as a camera positioned in profile and a yellow "Kodak" script on its right side.

In 1983, the company went minimalist and made the simple red wordmark its official logo.

That same year, the brand adopted a very different logo, using a black and white color palette that replaced the traditional red and orange colors.

The lower half of the emblem has a striped pattern that adds dynamism and interest.

In 1987, the traditional color palette was returned to in more stylized versions of the 1971 logos.

In the following years, word mark versions alternate with isologotypes.

Restyling logo Kodak
kodak publicidad

Lay’s

Lay's is an American snack brand established in 1932 and is now one of the most famous potato chip manufacturers in the world.

The first Lay's logo was created in 1932 and remains the basis for the brand's current visual identity design.

In 1997, the logo incorporated the color yellow, which was drawn unevenly, evoking the shape of a sun and also a potato chip.

The characters are refined into more traditional lines and have a blue shadow.

The red background is now replaced by a ribbon, drawn around the yellow sun.

It is the first version of the logo that we all know today.

In 2007, the logo took on a three-dimensional form, maintaining the iconic color and composition of shapes.

The 2019 redesign returns to being flat.

The logo executed in intense yellow and red still has some gradient tones, but they add more movement and dynamics than volume to the image.

Restyling logo Lay's
lays publicidad

Levi’s

The Levi's story begins in 1853, but just 20 years later, the company introduced the legendary blue jeans and a patented way of securing clothing with rivets.

Its most iconic logo was created in 1892 and is still used today.

It features two men with horses pulling a pair of jeans in opposite directions, demonstrating the brand's strength and durability.

The interesting thing about this is that the illustration was added below the letters for better recognition, since many people across the United States, especially in the Old West, could not read English.

The badge we all know today was introduced in 1969 with a geometric red background with white lettering.

Its characteristic shape is somewhat similar to the wings of a bat, and represents the perfect fit of tight-fitting jeans.

Restyling logo Levi's
levi's publicidad

Logitech

Logitech is an international manufacturer of computer software and accessories established in Switzerland in 1981.

The first Logitech logo is composed of a geometric emblem and a wordmark with thick, rounded letters overlapping each other, with thin white lines.

The 1985 redesign changed the logo, making it more modern and elegant.

Logitech's most iconic emblem was introduced in 1988.

The image, inspired by abstractionist artists such as Joan Miró, features a hand-drawn black eye with a modern, eye-catching color palette.

The 1997 redesign has softer, more simplified contours, but maintains the same artistic style.

In 2015, the iconic graphic part of the identity was eliminated, making its logo the main element.

The black wordmark is executed in bold sans-serif typeface with the letter "G" divided into two parts, representing a smile.

Sometimes the logo is accompanied by a stylized abstract letter “G” in light blue, which consists of a vertically placed arch and an angular figure.

Restyling logo Logitech
logitech publicidad

McDonald’s

McDonald's is not just a fast-food chain, but a truly legendary brand, representing an entire generation.

Its logo, featuring an arched gold “M” on a bright red background, is one of the most recognizable logos in marketing history.

The company was founded in 1940 under the name "McDonald's Famous Barbecue".

In 1953 the company finally changed its name to simply McDonald’s and this is where it all begins.

The logo is still far from what we all know today, but the color red appears in the color palette, giving the right direction for the brand.

In 1961 Stanley Meston created the emblem that everyone knows today.

The iconic Golden Arches logo was inspired by the architecture of the company's first restaurants, specifically their rooftops.

That's why there is a diagonal line running through the arches in the first version of the logo.

The logo was simplified in 1968 by removing the diagonal line and shortening the inner ends of the arches, making them look more like the letter “M”.

In 1975, the emblem with the wordmark was placed inside a red rectangle with rounded corners and white lettering.

This logo is probably the most recognizable version of all fast food company logos.

The company still uses it, being instantly recognizable around the world and evoking a sense of joy, happiness, and passion.

Restyling logo Mc Donald's
logitech publicidad

Mercedes Benz

There is hardly any car badge, which is more recognizable than the Mercedes-Benz emblem.

The three-pointed Mercedes-Benz star in a circular frame was adopted as the company's main emblem in 1916.

Since then, it has only slightly refined its contours.

The emblem was designed by the brand's owners, Adolf and Paul Daimler, who were inspired by a postcard image they received from their father, Gottlieb Daimler, in the early 1870s.

This emblem has a meaning for the company: to motorize the entire world on land, water, and air. Three directions, three points, three goals.

Restyling logo Mercedes Benz
mercedes benz publicidad

Microsoft

Microsoft was founded in 1972 and is the largest computer software and peripherals company, under the name Traf-O-Data.

In 1975 the company was renamed Microsoft and the first official logo was designed by Simon Daniels.

This is a monochrome logo where all capital letters are made up of numerous thin black and white lines.

In 1980, Simon Daniels himself redesigned the Microsoft logo again, changing the font to a sharper, more modern one.

The iconic Microsoft logo that almost all of us remember was designed by Scott Baker in 1987 and remains almost unchanged for 24 years.

The wordmark has a unique element: a white triangular cutout in the letter “O,” which aims to separate “Micro” from “Soft” and make people look at the company name from a new angle.

In 2012, Microsoft began a major rebranding of its corporate visual identity.

The new logo is designed by Jason Wells and features a geometric icon, where four small colorful squares form a larger one, reminiscent of Windows.

Restyling logo Microsoft
microsoft publicidad

Mirinda

Mirinda is the name of one of PepsiCo's best-known soft drinks.

The brand was founded in Spain in 1959 and was a great representation of the local orange industry.

After Mirinda was acquired by Pepsi, it gained worldwide popularity and is now available in several flavors.

The first Mirinda logo was created in 1959 and remained with the brand for over ten years.

A bright green emblem depicting a stylized massive letter “M” in double green and white outline contains the denomination in white.

Starting in 1970, the brand sought to demonstrate the concept of the orange in its logo and the direct relationship with the fruit, undergoing multiple redesigns over the following years.

In 2017, Mirinda's visual identity features only a stylized green logo on a white background, which can be changed to orange as needed.

In 2023, the company introduces a fun update in the form of a colorful initial in the background, reminiscent of its first logo.

Restyling logo Mirinda
mirinda publicidad

Netflix

Netflix is one of the most popular streaming services in the world.

The first Netflix logo, created in 1997, features the website's name with a film strip separating the characters "T" and "F."

In 2000, Netflix introduced a new version of the logo, which only remained with the company for a few months.

Starting in 2001, it adopted the design and color palette that has remained the same to this day, with only a few very subtle changes.

In 2016, Netflix introduced a new logo consisting of a solitary "N."

It's not a replacement for the current brand, but rather a smaller alternative as an avatar for mobile apps and social media.

Restyling logo Netflix
netflix publicidad

Pepsi

The 2023 design draws on Pepsi's 125-year history, striking a balance between classic and contemporary.

Community participation was considered, with many drawing the logo with the name inside the balloon, which led Pepsi to bring back this feature.

The goal was to create an image that was recognizable, timeless, and would connect with new generations, preparing them for the future.

The new design merges the Pepsi globe and wordmark, incorporating electric blue and black for added contrast and dynamism.

A new custom typeface has been created, repositioning the brand name within the globe, evoking classic versions of the logo.

This one maintains its classic red, white, and blue stripes, but with a slight change in its appearance reminiscent of its 90s image.

Pepsi
pepsi publicidad

Peugeot

Peugeot is a French brand of automobile manufacturers, founded in 1810 by Emile Peugeot.

The Peugeot logo dates back to 1847, making it the oldest automobile emblem in the world.

The idea of the lion as a brand symbol was born in the mid-19th century, when the Peugeot family's steel company needed a logo that reflected the company's activity and strength.

The Peugeot logo has undergone numerous changes throughout its history, but the lion has always been there.

It was not until 1927 that the Peugeot brand name appeared for the first time, and the lion design became more stylized and took on the form of a shield.

In 1948, the image of the rampant lion showing its claws in an attack position emerged.

It is designed in solid black and could be placed on any background.

In 1960 the brand drastically changed its image with a more three-dimensional image of a lion's head with a thick mane.

The year 1975 marks the birth of the famous "Lion Outline" logo. The Rampant Lion is back, but now it looks futuristic.

In 2010, it was redesigned with a 3D effect that is enhanced by the metallic color palette.

The visual identity changes completely again in 2021.

The new logo features a sleek black shield with a double white outline and a stylized portrait of the lion, reminiscent of the 1960s design.

Restyling logo Peugeot
peugeot publicidad

Pringles

Pringles is the name of a food brand that was established in the United States in 1968 and is known for its potato chips in cylindrical containers.

The Pringles logo has undergone several modifications, but has always featured the Mr. Pringle mascot and the product name.

The original 1967 branding features a portrait of a rounded man executed in bold black lines with red and black striped hair.

The yellow lettering of "Pringle's" is placed below the portrait in an enlarged solid black bow.

In 1986 the brand name changed to "Pringles" and the logo was redesigned.

The portrait changes its shape to a circle and the lines of the face are redesigned in a more modern and playful way.

In 2002 the brand introduced a more elegant and ornate logo and the bow became smaller in gradient red, with its thick black outline.

The man with the mustache is redesigned in a more contemporary way on a red background.

The current logo was created in 2009 and is based on the previous version, but the background is removed and the typography is changed.

In 2022, a simplified version was created for use outside the United States, with the name written in white inside a red bow tie below the face.

Restyling logo Pringles
pringles publicidad

Puma

Puma is one of the oldest companies in the world of sports, and its logo is one of the most recognizable emblems in the history of sports brands.

The company was born from a simple family dispute between brothers, which resulted in the formation of not one, but two legendary brands: Puma and Adidas.

One of the brothers named his company Addas (later renamed Adidas) and the second, RuDa, which later changed its name to Puma.

The puma has appeared in the brand's logo since the company's inception.

The jumping animal is a representation of movement, power, freedom, and speed, qualities that are strongly connected to sport.

An emblem is created in the form of a soft and elegant strip, a curved line, which narrowed towards the top.

To this day, the company uses this minimalist emblem on its clothing, as a symbol on most of its sneakers.

The puma began to be positioned more vertically in 1970, and thus the royal predecessor to today's iconic badge was born.

The shape strip replaced the cat again in 1976, positioning itself below the lowercase logo, with the vertical stroke of the "P" elongated.

The logo's letters were capitalized again in 1978, and the leaping puma returned to the upper right corner of the wordmark.

Restyling logo Puma
puma publicidad

Windows

Windows is the name of a computer operating system developed by Microsoft and undoubtedly the most popular in the world.

Since its launch and creation of its first logo in 1985, there have been more than 15 versions designed to date.

They all have one thing in common: the image of a window, which was not always so legible, as in some designs it resembles a flag.

The era of the Windows Flag logo begins in 1992 and lasts until the 2010s.

The first colorful badge was designed in 1992 and had a waving flag shape that dropped into pixels on its left side.

In 1995, a new concept was born in the Windows operating system that was truly revolutionary and changed the way we communicate with the computer.

The logo also features a notable redesign, with the flag now positioned diagonally to the left of the nameplate, which has now been enlarged.

The typography changes to bold sans-serif "Windows", which is now the main part of the logo.

In 2001, the black frame was removed from the flag, so the emblem now consists of only four waving squares with a three-dimensional appearance.

In 2006, the emblem acquired a flatter, more modern design. It still features gradient colors, but the square texture is no longer three-dimensional.

The word "Microsoft" is removed from the logo, and "Windows" takes on its own identity, making it look more minimalist and professional.

A new era of visual identity design begins for Windows in 2012, representing the most notable change of this century, coinciding with the launch of Windows 8.

With the Windows 8 operating system, the design of the operating system's graphical interface also changes significantly.

This is evident in the logo design created by Wolff Olins. which uses only the color blue, the waveform is gone, and the emblem is strict and geometric.

Restyling logo Windows
windows publicidad

Fashions, trends and functionality

By looking at 40 brands together rather than individually, we can perceive certain patterns that are repeated at certain times and at the same time.

This has to do with the fashions and trends of each era that force brands to adapt and compete with each other.

Throughout their history, there are brands that have returned to the original concepts of branding.

We can see this in the design of their brands, reminiscent of the past, but this time more stylized and in keeping with the times.

Some brands have changed their styles, fonts, concepts, and colors, allowing them to evolve and become what they are today.

If you want to know more about color in branding, I recommend reading my article How to apply color psychology in logo design, where you will see several of the logos mentioned in this article and many more.

 

Three-dimensionality

Towards the beginning of the 2000s, with the arrival of new operating systems, we can notice that many logos acquired three-dimensional aspects.

These were initially popularized for their ability to stand out, generate visual impact, and convey a sense of innovation and modernity.

With new 3D design technologies, brands are beginning to acquire volume and textures through lighting and shadows, simulating various real-life materials.

The new trend of creating animated logos for advertising and multimedia applications was also favored by 3D design.

With the advent of mobile devices and touch screens, three-dimensionality adds depth and realism.

A raised design makes the logo “pop” off the page or screen, capturing the viewer’s attention more effectively.

As we move from analog to digital, people no longer need buttons on keyboards, but they do need to identify them on screens.

The mouse's tip is now the tip of our index finger, making it necessary to highlight buttons and clickable areas on small screens.

In a sea of two-dimensional logos, 3D offers a unique way to stand out and create a memorable visual identity.

Sectors such as technology, video games, and fashion, where innovation and image are crucial, are the first to adopt three-dimensional logos.

logos 3d

Return to simplicity

Everything changed when Apple announced iOS 7 in 2013 and quickly imposed a return to flat, minimalist images.

The rise of mobile devices forces web design to adopt responsive development that adapts to various screen sizes, even very small ones like a smartwatch.

That's why we see the opposite process, with increasingly minimalist and flat logos.

The need to identify brands on social media and websites brings the same responsive approach to logo design as web design.

"Avatars" and "favicons" are born, which are highly simplified icons of logos for profiles on social networks and websites.

I suggest you read my article What is a responsive logo to understand this topic.

At the same time, we find a trend toward monochromaticism that favors the simplicity of logos and their printed application on any surface and digital media.

logos 2d

Final conclusion

I hope you enjoyed this article and understood the importance of brand redesign to keep your brand identity current over time.

We've learned stories and how brands have evolved and adapted to the trends of each era, new technologies, and new applications.

Some brands have managed to maintain their features almost unchanged, while others have made frequent and very significant changes.

There are brands that have even changed their name, colors, and personality, undergoing a complete rebranding.

It's all a matter of knowing how to adapt and evolve as the market needs.

The graphic designer is always a key professional in the development of a company's visual identity.

 

If you've been wanting to start your own brand and think I'm the perfect person to develop it, don't hesitate to contact me.

In the Related Articles section below, you will find some articles with specific topics that complement the one you just read.

I invite you to read them, share them and leave your comments if you wish.
Thanks.

>>> I WANT MY LOGO <<<

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Rebranding: The importance of redesigning a brand

Why redesign a brand?

 

In this post I want to tell you about the differences between Rebranding and Restyling, and the importance they have when redesigning a brand, with examples that have arisen through specific personal experiences with some of my clients.

I will also show you how, through the redesign, other very important objectives were achieved that had not been taken into account until now.

These are cases of clients who already had a brand in use and had not considered the possibility of changing it, as they did not consider it necessary or, alternatively, they were not aware of the growth possibilities that a new image could give them.

 

Read my post The most complete guide to understanding logos for more information

>>> I WANT MY LOGO <<<

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Rebranding vs. Restyling

The terms Rebranding and Restyling are often used synonymously, but in reality they are quite different concepts, and although the result of both is obtaining a new identity design, we should not confuse them.

Both concepts respond to the need to update the image of a brand and ensure its permanence and recognition over time and in different circumstances and applications.

Restyling, a question of visual style

A brand restyling is an update of the aesthetics, a facelift, but without altering its fundamental essence, preserving its perfectly recognizable key elements.

It is an efficient option when a brand wants to stay relevant in a changing market.

Over the course of a company, product or organization's life, its visual identity, like many other elements, may need to be transformed, adapting to current times and different brand application environments (graphic media, digital media, social networks, videos, etc.)

These design transformations are usually gradual, even very imperceptible, and always maintain the original concept of the brand.

Below we can see a clear example of restyling in the evolution of the Burger King logo, where after experimenting with various styles.

It is a curious case since they have decided to return to their classic logo, but adding modern elements.

This change seeks to reinforce its identity as an authentic brand focused on customer experience (UX).

Burger King restyling

Rebranding, rethinking new communication strategies

Rebranding (redesign) is the intensive modification of the visual identity of a brand to adapt it to a new desired positioning.

Unlike restyling, it involves a complete review of the brand's communication strategy and identity, which may include a complete change of the logo, institutional colors and value proposition, reflecting a strategic change in the company's direction.

Many times a brand feels “threatened” by new competitors or motivated to change by current technologies, and this leads to the decision to make more drastic changes, even changing the name and the entire identity design.

A recent case of extreme rebranding is that of the social network X, formerly called Twitter, in which absolutely all the identity elements have been changed (name, colors, fonts, etc.)

Rebranding twitter logo

The following example shows the case of the comprehensive redesign of the logo of the TV channel Animal Planet.

The brand explains that the goal of this change is to “interact with mass audiences across all platforms.

“We can reach all generations through our content and storytelling; we are here to entertain and delight by bringing people closer to animals and nature,” they say.

animal planet rediseño

Rebranding always starts from specific objectives or needs so that the brand can be aligned with the company's strategy and verbal identity, and therefore, involves deeper changes in its identity.

It is a process that goes beyond changing the visual style or modernizing the aesthetics of the logo and addresses essential aspects such as the company's mission, vision and values, strengthening the links between the brand and its target market.

 

The little apple is always at the forefront

A very illustrative example is that of Apple, which went from being a "nerd brand" of garage computers to becoming a worldwide reference for design and technology.

This led to a brutal rebranding in 1977, which went from having an emblematic illustration depicting Sir Isaac Newton under the apple tree to identifying the brand with the now world-renowned bitten apple.

From then on, the following updates consisted only of restylings that were adapted to the brand's communication needs.

As a curious fact, Rob Yanoff, the designer of the Apple logo, is said to have revealed that the creation of the famous logo was thanks to some apples he bought to paint in a portrait.

In an attempt to simplify the company's symbol, Yanoff wanted to include the image of the "bitten apple" since the word "bite" in English is bite, which is similar to a computing term (which is byte, like gigabyte, megabyte, etc.), taking advantage of the wordplay with phonetic pronunciation.

Apple rebranding

Knowing how to advise the client

In my professional experience I have often found that some of my clients were clinging to an image that has identified them for years.

They were not very willing to innovate and make changes, despite my suggestions and the needs that the market itself was asking of them.

Regardless of whether the brand is good or bad in terms of design, I consider that in these cases, a restyling is the most appropriate, since a rebranding would be a very drastic option and difficult to assimilate for the client and the people who work in their environment.

Let us not forget that behind a brand there are always “people” who feel, have emotions, stories, memories, traditions, etc.

Many times these are family businesses or enterprises, where the original brand was created by someone who is no longer with us, or who deserves the respect of continuing their legacy by their successors.

For this reason, in these cases, I suggest to my clients a restyling of the existing brand, preserving the original concepts in semantic graphic elements and colors, but adapting them to more current forms that allow their application in various graphic and digital media.

 

Accepting the need to innovate

The example illustrated below is the case of a client who has a family business manufacturing fabrics for footwear, leather goods and decoration, with more than 60 years of presence in the Argentine market.

I was called upon only to update a website that had been “forgotten” for some time, but there was not much to salvage in its content, and that is why I proposed redesigning it entirely.

My client immediately accepted my proposal and also my suggestion to update their brand.

I suggested that by doing so, we would have many more corporate elements to develop the design of the new website, applying logos, colors and styles that respond to the brand and identity of the company, and being able to unify communication criteria with all the elements that emerge from the logo (social networks, catalogs, advertisements, flyers, publications, etc.)

Tejidos del Rincón logo restyling

Keeping company traditions

The company name corresponds to his family name, and therefore I tried to respect all the traditional and emotional aspect that it represents for my client, but persuading him of the need for an adaptation of the brand that would allow him to have a stronger presence in print, digital and social media.

That is why I proposed to preserve the concept of the initial “t” and the loom, which represents the company’s activity, and to standardize the use of colors and fonts, obtaining a more modern, appropriate and versatile brand.

Tejidos del Rincón logo concepto

This brand restyling allowed the company to take a new level of visual communication, through product catalogues, websites, social networks and even stands at exhibitions in which it participates.

tejidos del rincon_catalogos1

You can visit the website by clicking HERE.

Tejidos del Rincón web

Changing habits

It is often a very hard job, but effective and satisfying when achieved, to convince the client that, based on having a new good institutional image, they must change their communication patterns with their own clients or consumers, always choosing quality options with professional criteria, and leaving behind amateur, improvised and illogical issues.

I always suggest that once you have your new image, you accept it and incorporate it into your new life, showing it off with pride and improving day by day.

I also recommend that if you take photos, they should be quality and well edited, that you carefully choose the content of your social networks, that you show your image with coherence and criteria, always in the same way, with the same colors and fonts.

Esos son los aspectos que forjan y favorecen la forma de comunicar una marca, y que sus consumidores terminan adaptándose y eligiendo ese estilo de comunicación, en que se sienten cómodos y a gusto.

Elements such as well-designed commercial stationery, advertising banners, graphic pieces, flyers, printed or digital, social networks, well-written texts and, above all, a professional look, are essential allies to promote the growth and positioning of a brand and its products.

It is always about improving the experience of our users, so that we make their daily lives easier and more enjoyable and therefore that they "choose us", since that is what the success and permanence of a brand is all about.

Rebranding: A change of strategy in communication management

We've already talked about restyling and the benefits it can bring to a brand, but now we're going to address the case of another client in which there was no solid starting point on which to build a good identity; there really was nothing left to save.

This is the Online Argentine Journal of Anatomy, an international scientific publication of the Argentine Association of Anatomy.

In this journal, physicians, residents and medical students from Argentina and around the world publish their work previously presented at the Argentine Congress of Anatomy, which takes place annually in various cities throughout the country.

Being a designer and webmaster of the Argentine Association of Anatomy since 2015, where I had already completely redesigned its website; in 2017 I was called to take charge of the editorial design of the Journal, which had been published quarterly since 2010, in its print and online versions.

The journal was seriously behind in its publications and had been in arrears for its editions since 2015, as the person in charge of doing so could no longer take care of them.

This person was not a graphic designer but a doctor who worked with very good intentions, but without adequate knowledge or tools, using “what he had at hand” for free and “pre-assembled”.

However, the results were not satisfactory, since the criteria and experience for designing are not included in these tools that are freely accessible to the general public.

Below is an example of the journal's editorial design.

revista anatomia anterior

Where to start?

The editorial design of the magazine I inherited was very poor and rudimentary, without form or identity, developed with inappropriate tools (PowerPoint) and the results were very poor.

PowerPoint is a very versatile tool for creating brief, high-quality graphic presentations in a very simple and intuitive way, but not for creating 100-page graphic editions.

The structural design grid was barely hinted at and was not respected in all publications, which took away identity, coherence, harmony and fluidity from the reading of their contents.

Furthermore, their website was designed by the same person, continuing with the problems that arose from the magazine's design.

A totally dysfunctional website, without organization, aesthetics, or any criteria, resulting in a poor user experience and totally non-existent web positioning (SEO), since the content was not optimized to be crawled by search engines like Google.

The website was developed with a very basic and poorly used amateur template, without any knowledge of web design or layout and structuring of content.

The overall design had a black background with small white font that made it difficult to read, and it was not responsive, so it did not adapt to mobile devices.

In addition, it was hosted on a cheap hosting server, with its consequent advertising banners, slow browsing and downloading, and exposure to viruses and hackers.

Reborn… a new opportunity

The journal's directors suggested that I continue with the previous model, but I proposed making a comprehensive change starting with the design of a new identity.

This would allow the magazine to reach much higher and more accurate international standards, with a professional and global perspective, and would favour its publication in various graphic and digital media, with graphic and conceptual unity and coherence.

Indeed, a Rebranding was the best option to make the journal more relevant and to recover a global position not only for the editorial product, but also for the people who make it and the institution that supports it.

The journal is indexed in various specialized international portals, where several similar publications from other countries coexist, and therefore must stand out and be at the same level as its peers.

portales RAA

Redesigning the identity

The previous logo had no identity criteria at all and was not even always displayed in the same way in the various publications. It was just an inappropriate typeface chosen at random.

Revista Argentina de Anatomia Online old logo

My proposal was to start with a complete redesign of the brand, providing a solid identity with allegorical concepts to the activity it represents: Anatomy.

The brand concept is developed through a blood-red continent, strategically curved like a page, which cuts out a letter “a” (from Argentine anatomy) slightly rotated so that a drop of blood forms in the eye of the letter, and which at the same time represents the union of muscles and cartilage in the human body.

logo RAA concepto

Regardless of the semantic concept that color gives it, the brand works perfectly in its monochromatic version, in positive and negative, to be used in applications that require it.

logo RAA negro

New editorial design

This rebranding is accompanied by a comprehensive editorial redesign of the magazine.

A new, clear and functional layout, where I have set out publication criteria that authors must respect in order to present their manuscripts in the journal.

My design idea was innovative and widely accepted by the board, who decided to believe in my proposal and gave me complete freedom to create a new product, and finally join the Editorial Committee as General Editor, Designer and Webmaster.

Previous covers consisted of a random collage of images taken from published works, usually dissections of cadavers.

A background color is used corresponding to each year of publication, the magazine logo is shown in different places and no identity or permanence is obtained in the memory of readers.

tapas revista AAA old

A new look at the concept of identity

My concept for the covers of the publications is to show how different artists from all eras and areas of art (painting, sculpture, design, photography, etc.) interpret the human body.

The result is a graphically different and innovative proposal compared to similar publications, which are illustrated with dissections and viscera.

With a minimalist, clear and uncluttered design, a place of importance is assigned to the journal's logo, strengthening its identity.

A band of uniform color represents the year of publication, highlighting the volume number and including an index of the titles published in each issue, so as to allow easy access for searching content by volume.

tapas revista AAA new

Major surgery

The following image clearly shows the differences in design criteria for the journal's covers, which invite the reader to a better reading experience and understanding of the works that are published.

A good layout and design of the content also favours the dissemination of its authors and allows the journal to truly be an organ of scientific dissemination and appreciation of the work of those who participate in each edition of the same.

Revista Argentina de Anatomia Online old new

Each published work has the same header design, highlighting thematic sections, authors, institutions of affiliation, country of origin, submission and acceptance dates, and highlighted abstract in Spanish and English.

Image and table sizes, reference numbering in graphics and texts, image captions, bibliographies, etc. have been standardized.

revista anatomia nueva

New website

For the design of the new website, I continue with the same criteria as the magazine, optimizing its identity and improving visibility and access in all the specific search engines in which it is indexed.

Publications are available for free download in PDF format, both in their full version and as individual articles.

To reinforce its international character, the website is bilingual (Spanish/English) and its contents are optimized following guidelines that favor web positioning in content search engines (SEO).

Downloadable files have optimized metadata so that they can be tracked by author names, titles or keywords, favoring the dissemination of authors and their works.

The new brand design also allows the website to optimise its online presence through the use of avatars that improve access to the site from different browsers.

You can visit the magazine's website by clicking HERE.

Revista Argentina de Anatomia Online website

A new way of being

In the example above we can see how, through conscious and strategic rebranding, developed with professional criteria, a new life has been given to a publication that almost did not exist.

They had the best product displayed in the worst way.

These are the characteristics necessary to guarantee the failure and invisibility of a publication as such, and of any other commercial, institutional, service or personal undertaking.

There is no point in having excellent content and good intentions if you lack design, organization, aesthetics, good taste, and above all, functionality that guarantees the satisfaction of your consumers and your positioning on the Internet.

 

Establishing a starting point

Brand redesign is always the starting point to obtain a graphic interface that provides identity and coherence to any type of product we want to develop, be it a magazine, a website, an app, social networks, videos, printed graphics, etc.

From it, we can find the color styles, fonts, design grids and all the characteristics that give "personality" to any product that aims to be recognized and accepted on a massive scale.

Just as members of a family are recognized by their genetic traits, physical appearance, their belonging to a name, their essence and their personality, the same happens with brands and the products and services they represent.

That is why they must be treated with respect, commitment and professionalism, since our brand speaks of «ourselves» as individuals and as members and representatives of the society in which we live.

Final conclusion

I hope you enjoyed this article and that it was useful to you.

My objective in this work is for you to know the differences between Rebranding and Restyling, and the benefits of redesigning a brand and the new possibilities that open up for the future of the client's commercial activity and its effective permanence in the market.

If you wanted to have your own brand and you consider that I am a suitable professional, do not hesitate to contact me.

In the Related Articles section below, you will find some articles with specific topics that complement the one you just read.

I invite you to read them, share them and leave your comments if you wish.
Thanks.

>>> I WANT MY LOGO <<<

Packaging posavasos